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Compact Companions - Part IV

POTATOES, LAMPBLACK AND TWO TAXI - CABS.

I had hoped to come back to this subject long before now, but other projects and a slow down on the technology front connived to postpone attempts to tackle any remaining issues.

To sum up briefly, it is reasonably clear from reproductions seen in mechanical print to date that derivatives of the compact digital camera models discussed previously, i.e. Ricoh GRII, GX200 and Panasonic LX3 (aka Leica D-Lux 4) are all capable of producing excellent image file quality for repro to a moderate size.

In particular, the LX3 with built in firmware for the correction of lens distortion, chromatic and spherical aberration, does an excellent job, only let down by comparison with the other two, by its weaker ergonomic features. In that department, both Ricoh cameras stand head and shoulders above the rest as well as, the Sigma DP1 which I will come to shortly.

REPRO QUALITY

I have mentioned in a previous post that when my own history of reproductions is analysed, by far the highest number appear on the page at up to half page size - roughly A5 or, as is often the case these days, a lot smaller. The reasons for this are numerous but a general observation often points toward the page layout person having to grapple with the compromise of balancing headlines, standfirsts and text on the page. The latter has to go in, a picture doesn't and if...
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Written by Ajax on May 31st, 2009 with no comments.
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New Kodak Z980, Zx1 and Kodak easyshare M380

New introductions from Kodak deliver brilliant images, unique ways to create and easy ways to connect

Pocket-sized HD Digital Video Camera and 24x Ultra-Zoom Digital Camera highlight Kodak launches at 2009 International Consumer Electronics Show

London, January 5, 2009 – Eastman Kodak Company (NYSE:EK) today introduced new products and services that make it easier than ever for consumers to make the most of life’s moments, from go-anywhere High Definition video recording to simple, automatic capture of brilliant images.

Kodak’s latest innovations are on display at Kodak’s booth at the 2009 International Consumer Electronics Show in Las Vegas (booth 31400, South Hall).

“These new products deliver great performance but are still so easy to use that you’ll never miss a memorable or important moment,” said Matthew Yarrow, Country Business Manager, for the Consumer Digital Imaging Group (CDG) and the Film & Photofinishing Systems Group (FPG), UK and Ireland, Eastman Kodak Company. “With these new products consumers can count on Kodak to help them capture brilliant images and video, easily share them with friends and family, and create a wealth of lasting memories.”

Leading the introductions is the new KODAK Z980 Digital Camera, featuring a wealth of power and versatility, including a 26 mm wide angle, professional quality, 24X image stabilised optical zoom lens and a vertical shutter release with detachable vertical grip.

“Photographers looking for more from their digital camera will find it in the Z980,” Matthew Yarrow said. “Our innovative Smart Capture feature makes...
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Written by Ajax on January 12th, 2009 with no comments.
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Relegation be Damned

bybr /Jonathan Eastland.br /br /span style="font-weight: bold;"The dearth of features, news and articles pertaining to the use of film cameras in the photo press well illustrates the popularity of digital technology across a broad spectrum of enthusiasts; or is it simply that advertising rules the roost? (no answer needed.) Only one, the British Journal of Photography, regularly continues to uphold the values of film for both its reviews of new materials and portfolios by shooters still enamoured by the silver halide./spanbr /br /Just recently, I completed a review of Rollei's ATP 1.1 film - the new(ish) flagship Technical Pan - according to the maker Maco for the Journal. Over a period of several weeks, I exposed rolls on the streets of Paris, Versailles and back home on local UK hunting grounds in a Leica M6.br /br /After a traumatic processing experience, the negatives were scanned on an Epson F3200 at the maximum optical resolution. The results lived up to almost every one of Rollei's claims - except ease of processing in small tanks with stainless spools - and I immediately put in a request for a sample of the 120 medium format version announced at this year's photokina.br /br /ATP 1.1 captures an astonishing amount of fine detail; negatives are virtually grain free, although it is there and visible in large scale prints. Image appearance reminded me of early Kodachrome II sans colour. The joy of course, is that digital post processing tools lend an easy hand here to obtaining...
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Written by Ajax on December 24th, 2008 with no comments.
Read more articles on photography and DSLR and photography and Canon and Film and Digital Art and Kodachrome and Ilford and Darkroom and Black and white and photography and photography and Nikon and Sony and Kodak and Canon and photography and Leica and Epson and Photographer and camera and DSLR and Camera Review.

British Journal of Photography’s - Vision 2008

span style="font-weight: bold;"Just three days to go before Vision 2008 – British Journal of Photography’s annual event for aspiring pro photographers/spanbr /br /a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_kbF8SbLANHc/SQ-VLTQg-0I/AAAAAAAAAl0/wq6rfkzQNns/s1600-h/vision2008.gif"img style="cursor: pointer; width: 400px; height: 51px;" src="http://3.bp.blogspot.com/_kbF8SbLANHc/SQ-VLTQg-0I/AAAAAAAAAl0/wq6rfkzQNns/s400/vision2008.gif" alt="" id="BLOGGER_PHOTO_ID_5264590510800042818" border="0" //abr /br /More than a thousand visitors are expected at Islington's Business Design Centre on Friday 07 November as BJP opens the doors to Vision, its annual event for aspiring pro photographers. Vision 2008 offers young professionals the chance to get their portfolios reviewed by experts from across the industry, take advantage of one-day only deals on the latest photographic kit and hear top photographers speak about their careers.br /br /Attendees will hear a speech by Jacob Aue Sobol, one of Magnum Photos' rising stars and the subject of this week's cover story. He won the Leica European Publishers’ Award for his I, Tokyo project, which will be published by Dewi Lewi next month and which he’ll present at Vision. He’ll also present images from his first, celebrated, book, Sabine, which documents life in an isolated Greenland community.br /br /Simon Roberts will also give the first public viewing of his latest photo series, We English - a follow-up Motherland, his acclaimed book exploring Russian identity. This time he's focused on ideas of nationhood closer to home, taking to the road in a motorhome for six months with his wife and daughter, 'documenting landscapes where groups of people congregate for a common purpose and shared experience'.br /br /Another keynote speaker will be photojournalist...
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Written by Ajax on November 3rd, 2008 with no comments.
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Alternative lens hoods available for Canon lenses

Press Release: 28 August 2008

Purchasers of Canon lenses have previously had little option other than to purchase the manufacturers own brand of lens hoods.

However there is now an alternative cost-effective solution from Kenro in the form of Marumi Lens Hoods available in a range of Canon Bayonet Mounts. This is useful if you have damaged or miss-placed your original hood from Canon. These hoods are of quality black plastic construction and have bayonet fittings that can also be reversed over the lens for storage when not in use.

The range covers:

MA919029 ET-65111 Marumi Lens Hood Canon EF85/1.8, 100/2.0, 135/2.8
MA919036 ET-65B Marumi Lens Hood Canon EF70-300/4.5-5.6 DO IS USM
MA919043 ET-67 Marumi Lens Hood Canon EF100/2.8 Macro USM
MA919067 EW-63B Marumi Lens Hood Canon EF28-105/4-5.6 USM
MA919074 EW-73B Marumi Lens Hood Canon EF-S17-85/4-5.6 IS USM
MA919081 EW-78B11 Marumi Lens Hood Canon EF28-135/3.5-5.6 IS USM
MA919098 EW-83E Marumi Lens Hood Canon EF16-35/2.8L, EF17-40/4L
MA919104 ET-67B Marumi Lens Hood Canon EF-S60/2.8 Macro USM
MA919111 EW-83J Marumi Lens Hood Canon EF-S17-55/2.8 IS USM
MA919128 EW-7311 Marumi Lens Hood Canon EF 24-85/3.5-4.5 USM
MA919135 ...
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Written by Ajax on August 29th, 2008 with no comments.
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Two new studio light tables from Kenro

Release Date: 19 August 2008



Kenro has announced the UK release of two new studio light tables with built-in light stands.

These new additions to Kenro's wide range of studio lighting equipment are ideal for product shots and close-up photography where shadow-free reproduction is required.

The units feature three arms designed for the attachment of flash or continuous heads. The direction of the light source can easily be adjusted from all directions as the arms allow for over and under product illumination.

Each table features a curved acrylic board that creates the illusion of an endless horizon; this means the subject appears to float against the background. One side of the board is glossy and the other side has a matt finish to allow for different effects. Coloured foils or velvets can easily be attached to the board to create a more unusual backdrop.

The tables are available in two sizes, 122cm x 183cm (4 x 6ft) or 76cm x 128cm (2.5 x 4ft). Both the large and small tables are available on their own or as part of a kit. Each kit comprises of a table, including 3 arms, plus three Kenro Slim Light 300 Heads.

Paul Kench, Kenro's managing director, says: "These products extend our range of quality Light Tables for the pro and semi-pro photographer. If you are thinking of earning money from small object, table-top photography, then this...
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Written by Ajax on August 19th, 2008 with no comments.
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Fujifilm - Free Film Offer

Fujifilm Professional has joined forces with innovative London lab, The Printspace, to offer customers free Fujicolor Pro Series film.

Hire a Hasselblad Flextight film scanner at The Printspace for one hour and receive a free 5 roll pack of Fujicolor PRO Series 120 film. Photographers can choose from PRO160S, PRO160C and PRO400H film.

Launched in October 2007, The Printspace occupies two floors of a 4000sq foot area comprising of retouching booths, film scanners, walk-in print stations, large format digital C-type on Fujicolor Crystal Archive paper, Epson Giclée printers and an exhibition space. The Printspace’s ‘DIY’ concept gives photographers the ability to produce their own professional prints on the highest specification equipment with a user-oriented, creative approach to print production.

The Printspace is located at 74 Kingsland Road, London E2 8DL. For directions and further information, visit www.theprintspace.com call 020 7739 1060 or email info@theprintspace.com

All films in the Fujicolor PRO Series have been optimised for digital scanning, and give excellent performance when used for digitally printed images. The whole range offers fine grain and a wide exposure latitude. The PRO160S is a low contrast film, PRO160C is high contrast and the PRO400H is low contrast at a higher speed. They are ideal for photographers who want to combine the exceptional image quality of film with the flexibility that a digital workflow can offer.

For further information on Fujifilm’s range of professional films, visit www.fujifilm.co.uk/professional or email Jerry Deeney on jdeeney@fuji.co.uk
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Written by Ajax on May 3rd, 2008 with no comments.
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Lastolite Launch New Video Demonstrations

New to the Lastolite website are a host of video demonstrations by the respected photographer Mark Cleghorn showing how a pro photographer uses their products. Many of the innovative Lastolite products demonstrated include the HiLite, Ezybox Hotshoe and Superwhite Vinyl Background.

Please visit www.lastolite.com and look out for their Top Tips logo.

For more information on Lastolite products please contact JP Distribution.

JP Distribution,
Hempstalls Lane,
Newcastle under Lyme,
Staffordshire, ST5 0SW
Tel: 01782 753300 Fax: 01782 753399
Email: info@johnsons-photopia.co.uk
Web: www.johnsons-photopia.co.uk


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Written by Ajax on April 20th, 2008 with no comments.
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