Mosaic of fungai, up close and personal

I have been creating a type of Photo mosaic, I call them Photo Impression, for several years now yet I find it is the thing I end up re-explaining most. I’m not trying to keep the method a secret or mystify it but it is considerable more complex than “using photoshop with a background texture”. In fact I like the way collage, mosaic and Photomontage can extend a subject, there is a lot more that digital photography can offer than just photoshop trickery. Quiet a few notable artists like Dali, Chuck Close, Andy Warhol & David Hockney have been investigating parts of this process before me.

 

There are three main steps I undertake. They map nicely into painting steps and terms. The initial tonal map is like a sketch where I am investigating the tone, balance and composition. I prefer to work monochrome here. Next is the paint stage, where I analyse the colour in the original image looking at colour contrasts, compliments and harmonies. I like to restrict the number of colours, much like the impressionist painters, as it gives a more powerful results with potentially a stronger emotional connection for the viewer. At this stage I select existing photos or make computer generated patterns or even take new photo to build a small library or images that form my palette of tile. Next I get to choose the brushes to

...

Whilst I have not been publishing them here, my photo impressions of birds in particular, have become my best selling works. This one, of a lone gull flying into the sunset, focusing on the theme “extinction is forever”.   It has been in preparation for some time for the Venus Artist Contemporary Showcase. I always end up doing lots of tweaking of colour palette and tiling textures. In the end I have opted not to include in the exhibition (it is the first photo impression I has included a written message on)  but have also posted it on RedBubble (you can purchase a poster or a large canvas version from them).

I treat the creation of (Iphotographic mosaics just like a classical painting. Whilst I do use modern software and digital photos I follow a more traditional method to develop the image. The photo itself is like the initial sketches one would do to develop composition and form. Next I look at the tones and colours of the image and select a limited palette of harmonious colours. Instead of mixing these colours from a tube I look through my collection of photos. Usually I just use photos related to the theme of the photos (shorebirds in the venus bay sunsets in this case) but lately i have been adding a few specially

...

Backlit new growth on a late spring afternoon can capture some beautiful textured lighting. This collage is an example of one of the new mosaic collage options in picasa 3 beta

If you like the mosaic below this is just a reminder you can download a screen wallpaper based on it and other wallpapers based on my photo from my flickr screen wallpaper set

I have been doing a lot of "playing" with photomosaics, specifically the ones that make up another image. My software of choice has been andrea mosaic for a long long time. It is free to download, and gives you a lot of control over, as well as the tools to build the library of tile images you use. To be fair its user interface is old fashioned text forms, but perfectly servicable.

The past couple of weeks I have been trying out mosaic creator, it has a much snazzier user interface (it may not be any easier to use though) and has two important differences to andrea

1. it can generate an image using a range of tile shapes (eg triangle and hexagons)
2. It does not need to firstly compile libraries of tile images (you can give it individual images or directories of images)

This second feature got me thinking, I could use a standard image and get a photomosaic made from any given day's photos (providing I had taken enough photos). Here is how a few of the different day tilings worked out on my photo eye icon.

 

...

 

Now is the right time (well in the southern hemisphere, it is) to get out in your garden (or some one else's, these photos are all from my mother's garden) and get up close to the magnificent spring display. Close up photos, where the image is close to the size of the original are usually referred to as Macro Photography. Most digital cameras, and a lot of camera phones, these days have a macro setting, usually indicated by a button of setting on the lens marked with a flower. When you get up close you may find your run into few special issues, If you are using a view finder, you may find the image you captured is half cropped off (so it is better to use the camera LCD screen to frame your photo before you take it). When you are close up depth of view (not normally seen as an issue on digital cameras) will mean you may only be able to focus on part of the flower, so don't be afraid to take a few shots and move the camera in and out, till the results are pleasing. With an intricate flower a slightly out of focus background can enhanced the image. Your camera manual may have some other good advice on using that unused marco feature, for close up images.

...