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FIREWORKS PHOTOGRAPHY

Firework can offer a great view and we all want to have some memories of them,but capturing them in a photograph can be a little bit difficult and needs a lot of practice.Here are some tips to help you throw this process.
1.USE A TRIPOD-and must be a good one if you want to do the best.It would be very helpful to use a remote cable so you avoid all the camera shaking caused by your finger,if not you have to work without it and try to do the best or use your camera timing by setting it 1 sec.
2.CHOOSE THE RIGHT SPOT-It's very important to be in the best position.And also could be great if you enter in your frame some important object like a palace or a bridge.Having water in the foreground could create a beautiful reflection of the firework and is also great.But you have to avoid crowded places so you will not take shoulders or heads of people.Stay in a high place let say a high palace or somewhere else where you can be alone.
3.CAREFUL WITH THE WEATHER-The most import factor is the wind that can spread the smoke and damages your shoots.so you should be extra careful and avoid taking it on the frame.
4.SHUTTER SPEED-you have to use a shutter speed between 1-4 sec,not less that doesn't give the effect you...
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Written by Carlos | Source: http://digitalphotography360.blogspot.com/
on October 11th, 2008 with no comments.
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BLUE SKY EFFECT


1-Shoot with a blue sky-this means that in order fort you to
obtain blue sky on your photos you should have a blue sky,doesn't matter if its a little pale because you can fix it easely,but in order for you to improve an overcast sky you must go throw a lot of trouble.In this article we will talk about adjusting your existing blue sky.How to make it a deep blue.
2-Shoot in Raw-always shoot in raw as you have more possibility to make changes on your picture without damaging it,for example you can change your color temperature,or exposure or you can use even presets to make your work look better in an easy way.But if this is not
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Written by Carlos | Source: http://digitalphotography360.blogspot.com/
on October 11th, 2008 with no comments.
Read more articles on Photoshop and Camera Review.

Video Training Review: Photoshop Magic With Susi Lawson

Written by T. Michael Testi

As I said in my review of her DVD training video The Fine Art of Photoshop, as soon as you see it, you can recognize a Susi Lawson work of art. There is something about it that jumps off the page and says look at me! In Photoshop Magic, Susi Lawson shares more of her techniques and insight, so you get a better feel on how to create these kinds of wonderful works of art.

 Susi Lawson – Photoshop Magic
Photoshop Magic contains 15 videos covering 13 lessons that detail how to work with Photoshop. They cover techniques of working with brushes, creating portraits by using photos to begin your creation and using Photoshop skill to enhance with drawing and painting over the image. Photoshop Magic comes on two disks, one with the videos and one with the necessary images so you can follow along.

Lesson 1, "Festive Cover Art" begins by showing you how to reproduce the cover artwork. You begin with an ordinary photograph and you will see how to create the festive look using Photoshop. This lesson covers setting the background, using selections and curves, showing you how to touch up a photo, filling in hair, and finally using vector shapes add the colorful shapes.

Lesson 2, "Air Brush Art" (two videos) now

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Written by T. Michael Testi | Source: http://photographytodaynet.blogspot.com/
on October 10th, 2008 with no comments.
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“Midnight Blues”

"Midnight Blues"
© David A. Ziser


This is one more image made during last Saturday's wedding. The reception was held at the Taft Museum, a popular and beautiful venue for weddings in the Cincinnati area. On the grounds within the courtyard area is a wonderful arch of foliage that provides a great place for a photograph of this kind. I envisioned the backlighting to "rim" out the couple while at the same time illuminating the trees effectively surrounding the couple in light. The twist was this..... I illuminated the couple with my Z-Ray - my Brinkman Dual Xenon high power flashlight. (See my tutorial entitled, "Z-Ray Lighting - Zap, Bam, Pop" right here to see how I use the this lighting.) I needed to switch the color balance setting in my camera to 2800K (or tungsten) to get the proper color balance on my bride and groom. That resulted in all the ambient light and the flash illumination being rendered much more blue since they both "live" in the cooler" part of the color spectrum. The combination on "multiple flavored" lighting created a fun shot of the couple. Camera specs; Canon 40D fitted with 17-85mm IS lens at 17mm, F 5.6 @ 1/15 second, ISO 1250. Enjoy! -David


Written by Carlos | Source: http://digitalprotalk.blogspot.com/
on October 10th, 2008 with no comments.
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Another Gear Bag Friday: The Rarest Lens Of All - Reviewing The Rare 50mm F 1.4 Lens

Good Morning Everybody,
Well, after all this "gloom and doom" Business Day Thursday talk and the stock market in free fall, let's talk about something we can all enjoy - more camera gear:~)

The Rare of the Rarest Lenses
That's what it's been for years - the lens that used to come with every film 35mm SLR, the lens you took off the camera and stashed in a a drawer somewhere, the lens that hardly ever found it's way back on the camera once it was removed - the rare 50mm lens :~) That really has been the case for years, but digital has changed all that making one of the least favored optics now one of the fair haired boys in the ol' gear bag.

I remember, my buddy Denis Reggie singing the praises of Canon's 85mm F1.2 lens back in the film days - super fast, shallow depth of field, and super sharp - and the cost....about $1900 by the way, enough to give your wallet a hernia. Now digital rolls around and a lot of us start making the migration, for me it was 12/30/00, just about eight years ago.

I get thinking about the 85mm F1.2 lens and say, "No way!" With my digital camera's 1.6x multiplication factor, that conveniently makes my 50mm lens an 80mm optic and only 1/2 stop slower than that super pricey 85mm and for
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Written by Carlos | Source: http://digitalprotalk.blogspot.com/
on October 10th, 2008 with no comments.
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Buy A Cheap And Low Price Digital Camera

There are a number of great websites that are dedicated to helping you find a cheap digital camera. Some of these can help you save a lot of money on your camera purchases. A lot of these websites will take the effort out of finding a cheap digital camera as they search the Internet and physical stores for the best deals for you.

Buy a cheap and low price digital cameras

There are so many sales, bargains, coupons and deals available to enable you to get a truly cheap digital camera that it can seem impossible to choose between them so it is important to find a website that gives reviews on the products as well as the vendors themselves. A cheap digital camera may not be such a good deal if it turns out that the vendor has poor levels of customer service.

Obviously, a lot of the cheap digital camera deals are constantly changing and having the latest information can be the difference between getting the camera you want and having to pay more because the offer has ended. Many websites have a number of services to help get the information about current cheap digital camera offers to you as fast as possible. You can choose to have specific cheap digital camera deals sent to you via email, mobile phone or palm text message or RSS feed amongst others. These alerts can be customized so that you can choose to only receive cheap

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Written by chalacuna | Source: http://behindlense.blogspot.com/
on October 9th, 2008 with no comments.
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Book Review: Take Your Best Shot By Tim Grey

Written by T. Michael Testi

As with a lot of books, Take Your Best Shot is one that has been years in the making. While working with the nature photographer George Lepp, Tim Grey started a quarterly newsletter called "Digital Darkroom Quarterly." Over time he kept getting questions via email asking questions on digital photography, and many times these questions were the same or similar questions. So instead of just responding to these questions, in 2001, he started the Digital Darkroom Questions (DDQ) email newsletter. To this day, these questions still go strong. Tim Grey's latest book, Take Your Best Shot, was developed from these questions. The book is 252 pages in length and is divided into 10 chapters.

Chapter 1, "Digital Fundamentals," begins with question topics that will help give you a strong foundation in digital photography and help shorten your learning curve. The goal here is that even if you have the basics down, by reviewing some of these topics you will even pick up a point or two. Topics covered here include the debate between film and digital, dynamic range, ISO, resolution, RAW capture, and lens problems such as chromatic aberration.

Chapter 2, "Digital Cameras and Tools," examines the wild and wonderful world of ever expanding digital technology. In the days of film cameras, things did not change that frequently, but with the advent of digital, things don't stay the same for very long. Now you have many choices that constantly change.

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Written by T. Michael Testi | Source: http://photographytodaynet.blogspot.com/
on October 9th, 2008 with no comments.
Read more articles on photography and photography and photography and photography and Books and Review and photography and Photoshop and Camera Review.

“On Top Of The World”

"On Top Of The World"
© David A. Ziser


Here is another one of my "sunny day" wedding portraits from this past weekend's wedding. Our vantage point gave a great view of the Kentucky side of the Ohio River. I positioned the bride and groom between to two bridges you see in the background. I had the choice of a low camera angle which would feature the sky more in the composition, but that obstructed the bridges from the view. Since the rooftop view was important to my clients, I choose the higher camera vantage point for this shot showing the bridges. They were standing directly in the sun which I blocked with a large translucent panel. That gave me the soft light on there faces upon which I could add the "loop-light" illumination from my off-camera flash which was coming in from the right side. I filled the facial shadows with my on-camera flash firing too, but with the power reduced by 1 2/3's stops so that it did not overpower the off-camera flash. I thought we pulled off a pretty cool shot. To see the entire set up, hit the "Read more..." link below. Camera specs; Canon 40D fitted with 10-22mm lens at 10mm, F 20 @ 1/250 second, ISO 200. Enjoy! -David

Here is how the shot was set up. -David




Written by Carlos | Source: http://digitalprotalk.blogspot.com/
on October 9th, 2008 with no comments.
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