O deserto Ripples II perto Daniel Nahabedian

Wow. Em minha forma típica, eu pus fora de escrever um borne por um dia… e termina acima de sentar-se ao redor por uma semana.

Os bornes precedentes que relacionam-se a processar sobre cinco cem imagens do baseball com Bibble são aqui e aqui.

Realmente, os cinco cem são um understatement… Eu tinha ido previamente completamente e tinha suprimido os non-keepers óbvios, assim que eu comecei provavelmente para fora com mil ou mais imagens.

Obviamente, processar um grupo das imagens realmente não deve ser notável bastante fazer uma entrada do blog, desde que os fotógrafos pro a fazem pelo menos uma vez uma semana. Mas é uma experiência nova para mim, como evidenciado pela maneira fêz exame de me pouco sobre 8 horas totaliza para editar para baixo as imagens (que é um pequeno sobre 90 segundos por a imagem). Naturalmente, a vez seguinte deve ir muito mais rapidamente. E, agora eu tenho um registro de como resolver alguns problemas comuns do workflow em Bibble.

Eu realmente tive que apressar coisas na extremidade though.

Retrate isto: nós estamos na casa $4 milhões de um dos pais da equipe, e eu estou entregando para fora CD com etiquetas escritas à mão em sacos plásticos do sanduíche. O sinal de adição, mesmo se ateassem fogo acima de seu browser na galeria de Bibble no disco, estalando uma imagem individual estalaria acima a imagem cheia da definição, que seria maneira demasiado grande para ver no seu…

Qualidade da imagem: A qualidade da imagem é muito boa a excelente: o auto contrapeso e exposição brancos são muito bons e as imagens têm a cor excelente, com saturation, contraste e detalhe bons, com ruído baixo à exceção das imagens elevadas do ISO. A escala dinâmica pareceu ser boa - e pode ser melhorada usando a tecnologia do ajuste da sombra. Images were slightly soft straight from the camera on default settings but can be improved by setting the Noise Filter to Low. For maximum detail and colour control RAW images should be taken, although JPEG images straight from the camera were still very impressive. Purple fringing was very low, as was red-eye. The camera did a good job focusing even in low light thanks to the flash assist. I did not notice vignetting in photos, nor did I notice barrel or pincushion distortion. There is a very good range of image sizes, and a good choice of compression options (including RAW). The camera gives very good control over image quality - selecting different picture modes allows you to change the colour mode (Vivid, Natural etc), saturation, contrast and sharpness. (9/10)

Everything else (the camera as a whole): The camera is stylish with a black body with black rubber hand grip, and is currently the smallest digital SLR available. The camera has a very good 2.7" screen that works well even in bright sunlight. The camera feels very well built, and is comfortable to hold. The camera is easy to use, the menu system is...

The SP AF 70-200mm F2.8 Di LD (IF) Macro is Tamron's latest lens, announced at the end of February 2008. A fast telephoto zoom for the more budget-conscious photographer, the design features 19 elements on 16 groups, including three Low Dispersion (LD) glass elements for minimizing chromatic aberration. Tamron say the lens is 'packed with features that allow stress-free photography', and accordingly these are indicated by the plethora of initials packed into that painfully protracted lens name. 'SP' designates this to be a member of Tamron's top-line 'Special Performance' range, 'Di' indicates that it is 'Digitally Integrated' (i.e. optimized for DSLR use, but still covering the full-frame 35mm format), and IF reveals that it incorporates an internal focusing mechanism. Finally the 'Macro' description provides a clue to one of this lens's more interesting characteristics, a minimum focusing distance of 0.95m, which leads to a class-leading reproduction ratio of 0.32x; slightly ahead of the Sigma equivalent's 1m/0.28x, and significantly better than the ~1.5m more typical of this class.

Tamron has something of a history of producing high quality affordable fast zooms, as exemplified by the SP AF 28-75mm F2.8 Di LD Aspherical (IF) Macro, which has become something of a cult classic due to its winning combination of excellent optics, a compact lightweight body and keen pricing (especially in comparison to F2.8 standard zooms from the major camera manufacturers). It's therefore no surprise to see Tamron emphasizing in its publicity material that this product concept has been retained for...

It only looks serious. The Z1012 is pure fun to use. Though it appears like an SLR camera, the Kodak Easyshare 1012IS sports a long 12x optical zoom with its 33-396 mm (35 mm equiv.) f/2.8-4.8 SCHNEIDER-KREUZNACH VARIOGON Lens. So even though you can't change lenses, the focal length means you don't have to. 10.1-megapixel resolution captures still images at up to 36722748 for exquisite detail. Want to take movies? Kodak's Easyshare 1012IS does that too (even in high-definition) at resolutions of HD (1280 720) at 30 fps; VGA (640 480) at 30 fps; QVGA (320 240) at 30 fps - with Quicktime and MP4 compression for stereo sound in HD mode. It's simple to use with lots of automatic settings. Want to be creative? There are manual and semi-automatic modes too. Optical image stabilization helps keep images blur free. Get ready for some great shooting and even better results with the EasyShare Z1012IS. 2.5 TFT LCD File management on camera - delete, undo delete, copy, protect, text tagging 32 MB internal memory available, SDHC SD card expansion slot Optical image stabilizer Face detection technology Panorama stitch mode KODAK PERFECT TOUCH Software PC and Mac compatible ISO sensitivity auto, 64, 100, 200, 400, 800, 1600, 3200 (6400 @ 3 megapixel mode only) Unit Dimensions W H D - 108.5 74.2 76.6 mm; Weight - 325 g

I'll be slowly phasing out the daily photo in this blog as I have moved over to Aminus3.com which really is the best free photo blog environment around. I would therefore invite you to update your bookmarks and follow me there: http://hoshisato.aminus3.com/.
I'll continue to use this blog for travel, technical subjects and miscellaneous.

The title of my photoblog comes from the poem by Sara Teasdale which was used in a fabulous short-story by Ray Bradbury.

There will come soft rains and the smell of the ground,
And swallows circling with their shimmering sound;

And frogs in the pool singing at night,
And wild plum trees in tremulous white;

Robins will wear their feathery fire,
Whistling their whims on a low fence-wire;

And not one will know of the war, not one
Will care at last when it is done.

Not one would mind, neither bird nor tree,
If mankind perished utterly;

And Spring herself when she woke at dawn
Would scarcely know that we were gone.

©1920, Sara Teasdale.

Camera: Pentax *ist DS, lens: Sigma 18-50mm F2.8 EX DC MACRO

Alone by PCP